Julian Steckel


"If you know one room in an apartment, but not that the apartment has seven other rooms, you won’t even understand the room you’re in."
Julian Steckel
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Written music is potential energy that a performer must unleash. Audiences can tell if a musician really feels that energy, or if their expression is second-hand. When Julian plays, he is sharing something fragile and alive.
“As an interpreter, I’ve started trusting my inner life more and letting the audience in,” he says. “It’s a kind of vulnerability that makes you stronger.” His first child was born at the end of 2018. Since then, his conviction has grown, his sense for metaphor expanded.

He knows that making music for an audience occasionally involves tipping the scales too far one way or another. But he is aware of his responsibility toward what is often called the “intentions of the composer.” He dives deep into scores, investigating the organic connections that give a work its unity. “If you know one room in an apartment, but not that the apartment has seven other rooms, you won’t even understand the room you’re in,” he says. When Julian plays, the music is in safe hands. You listen for his discoveries; what the music, through him, is trying to tell you.
Every life is a series of experiences, encounters, memories, places. Sometimes it’s possible to understand the contours of a musician’s ability through a list of these moments. Julian’s solo career was launched after he won the prestigious ARD Musikwettbewerb in 2010. Since then, he has soloed with the Gewandhausorchester Leipzig, the Symphonieorchester des Bayerischen Rundfunks, the Royal Philharmonic Orchestra, the Orchestre de Paris, the Rotterdam Philharmonic Orchestra and the St. Petersburg Philharmonic. He’s worked with the conductors Christoph Eschenbach, Sir Roger Norrington, Valery Gergiev, Jakub Hrůša, Mario Venzago, Fabien Gabel, John Storgårds, Lahav Shani, Antony Hermus, Christian Zacharias and Michael Sanderling. His chamber music partners include Janine Jansen, Christian Tetzlaff, Karen Gomyo, Antje Weithaas, Renaud Capuçon, Veronika Eberle, Vilde Frang, Antoine Tamestit, Lars Vogt, Elisabeth Leonskaja, Paul Rivinius, Denis Kozhukhin, the Modigliani, Armida and Ébène quartets.

For Julian, these experiences and encounters are the result of organic growth, not external pressure. It’s a development that tends to happen when a musician of his ability goes through life with an open mind.

His playing is effortless, unhindered by technical boundaries. He derives energy from appearing not to try. It’s a quality that many look for and few find. He sees his talent and his musical upbringing as a gift. His mentors are responsible for the rest.

“My very first teacher considered lightness and simplicity to be at the core of cello playing,” Julian says. “Listen to yourself, plan what you’re doing, get it right the first time. I owe everything to these insights.” He studied with Ulrich Voss, Gustav Rivinius, Boris Pergamenschikow, Heinrich Schiff and Antje Weithaas. Now he is a teacher too, at the Hochschule für Musik und Theater in Munich.
„What happens? The music comes into focus. Suddenly, you notice that you're not sitting there listening to a star, but actually discovering Haydn, Schumann, Dvorak or new music.”Süddeutsche Zeitung / Auftakt, Harald Eggebrecht, February 2016
In the last season Julian appered amongst others with the Rundfunk-Sinfonieorchester Berlin, Dortmund Philharmonics, Saarländisches Staatsorchester led by Sébastien Rouland, as well as the Residentie Orkest under the baton of Nicholas Collon and the Orchestra della Toscana in Florence. Furthermore, he played the world premiere of Karola Obermüller's cello concerto in with the Philharmonic Orchestra Heidelberg under Elias Grandy.

Along with this, chamber music remains for him a source of inspiration and a hotbed for communication: next to a concert with Josef Špaček at Rudolfinum Prague, engagements with long time partners as Antje Weithaas, Tobias Feldmann, Lise Berthaud und William Youn, and Kiveli Dörken are planned, amongst other venues at Concertgebouw Amsterdam, Schauspielhaus Bochum, in Vevey and Schwetzingen. In addition, trio concerts with Sharon Kam and Enrico Pace, as well as concerts with Quatuor Modigliani at Philharmonie Köln and in Fürth are on his agenda.

This biography is to be reproduced without any changes, omissions or additions, unless expressly authorized by artist management.
Contacts: Arnold Simmenauer, Sarah Schermuly



2023 / 2024
Julian Steckel, Sharon Kam & Enrico Pace
Cello, Clarinet & Piano

Beethoven: Piano Trio in B flat major op. 11 “Gassenhauer Trio
Webern: Three little pieces for violoncello and piano op. 11
Rota: Allegro giusto for clarinet, violoncello and piano
Berg: Four pieces for clarinet and piano op. 5
Brahms: Trio for clarinet, violoncello and piano in A minor op. 114

Julian Steckel, Carolin Widmann, Nils Mönkemeyer & William Youn
Cello, Violin, Viola & Piano

Bridge: “Phantasy Quartet” in F-sharp minor
Lekeu: Piano Quartet in B minor (unfinished)
Brahms: Piano Quartet in G minor op.25

2022 / 2023


19:00 Uhr
DE / Ludwigsburg - -
Julian Steckel, Württembergisches Kammerorchester Heilbronn
19:00 Uhr
DE / Füssen - -
Leonkoro Quartett, Julian Steckel, Karin Wolf
20:15 Uhr
NL / Amsterdam - Het Muziekgebouw aan 't IJ' - Grote Zaal
Julian Steckel, Sharon Kam, Enrico Pace
19:30 Uhr
CH / Küsnacht - Pfarreizentrum St. Georg -
Julian Steckel, Antje Weithaas, William Youn
19:00 Uhr
DE / Donaueschingen - Donauhalle A - Strawinsky Saal
Julian Steckel, Sharon Kam, Enrico Pace
IT / Mailand - -
Julian Steckel
20:00 Uhr
NL / Den Haag - Amare -
Julian Steckel, Residentie Orchester, Jonathan Bloxham
20:15 Uhr
NL / Amsterdam - Concertgebouw - Grote Zaal
Julian Steckel, Residentie Orchester, Jonathan Bloxham


Zoltan Kodaly: Solo Sonata and Duos
Zoltan Kodaly
Cello Sonata op. 4; Sonata op. 8 for solo cello; Duo op. 7 for violin and cello

Antje Weithaas - violin
Paul Rivinius - piano

C.P.E. Bach: Cello Concertos
C.P.E. Bach
Cello Concerti in A Minor, Wq. 170, B-Flat Major, Wq. 171 & A Major, Wq. 172

Stuttgarter Kammerorchester
Susanne von Gutzeit - conductor

French Cello Sonatas Vol.2
Cello Sonata A Major

Romanze op. 69; Berceuse op. 16; Elegie op. 24; 3 Romanzen op. 17

Cello Sonata No. 2 op. 123

Paul Rivinius - piano

Rachmaninoff - Prokofiev
Sergei Rachmaninoff
Cello Sonata in G minor, Op. 19 & 2 Pieces, Op. 2

Sergei Prokofiev
Cello Sonata in C major, Op. 119

Ravel: Sonata for Violin and Cello
Maurice Ravel
Violin Sonata op. posth.(1897); Sonata for violin and cello; Violin Sonata (1927)

Paul Rivinius - piano
Lena Neudauer - violin

Martha Argerich & Friends - Live from Lugano Festival 2011
Works by Ravel, Shostakovich, Beethoven, Rachmaninoff, Haydn, Mozart and Liszt
With Martha Argerich, Renaud & Gautier Capucon, Alissa Margulis, Sergio Tiempo, Alessandro Stella, Dora Schwarzberg, Lucia Hall

French Cello Sonatas: Poulenc, Saint-Saëns, Debussy, Boulanger & Fauré
Cello Sonata (1948)

Papillon op. 77; Sicilenne op. 78; Apres un rêve

Cello Sonata (1915)

N. Boulanger
3 Pieces

Cello sonata op. 32

Paul Rivinius - piano

Korngold, Bloch & Goldschmidt: Cello Concertos
Cello concert C Major op. 37


Cello concerto op. 23

Daniel Raiskin - conductor
Staatsorchester Rheinische Philharmonie

Mendelssohn: Works for Cello and Piano
Felix Mendelssohn Bartholdy
Cello Sonatas Nr. 1 & 2 opp. 45 & 58
Variations concertantes op. 17
Lied ohne Worte op. 109

Paul Rivinius - piano

Spannungen 2005: Johannes Brahms
Johannes Brahms
Piano Quartet Op.34 & Sextet Op. 36

Lars Vogt - piano
Isabelle Faust - violin
Christian Tetzlaff - violin
Veronika Eberle - violin
Hanna Weinmeister - viola
Stefan Fehlandt - viola
Gustav Rivinius - cello


Schumann Cello Concerto live/Julian Steckel/Christian Zacharias/Göteborgs Symfoniker


Arnold Simmenauer
t: +49 (0)30 414 781 724
f: +49 (0)30 414 781 713
Sarah Schermuly
t: +49 (0)30 414 781 744
f: +49 (0)30 414 781 713